In a city that boasts hundreds of sculptures to historic figures, there are only two dedicated to women: French heroine Joan of Arc and Bostonian Quaker Mary Dyer. To address the absence of women in public monuments in this city, Sharon Hayes’ sculpture If They Should Ask marks a long line of Philadelphia women, from the mid-1600s to the present day, who could be or could have been recognized with monuments. Immersing herself in the voluminous array of monuments around the city, Hayes has recreated nine pedestals from existing monuments in Philadelphia, scaled them to half-size, and arranged them together in a singular assemblage. Hayes convened a group of intergenerational, intersectional, and civically-engaged women to discuss, as Hayes notes, “the persistent and aggressive exclusion of women from this form of public recognition.” Hayes and these advisors initiated an ongoing collection of names of Philadelphia-area women who have contributed to the social, cultural, political, and economic life of the city, a selection of which have been incorporated into the sculpture. For a full list of names and to contribute your own, visit iftheyshouldask.com.
Location: Site 04: Rittenhouse Square
Lab Hours: Wednesdays & Thursdays: 4pm – 7pm; Saturdays & Sundays: 12pm – 5pm
Park Hours: Open 6am – 1am Daily
Learn more about the Rittenhouse Square artists and their projects at a special exhibition at the Philadelphia Art Alliance.
September 13 – November 20: Tuesdays through Sundays, 12pm – 6pm Closed Mondays
1pm – 4pm
Cast concrete, steel, and acrylic lettering
If They Should Ask Advisory Group
Nina Ahmad, Ph.D., Alliyah Allen, Kennedy Allen, Erica Atwood, Rev. Bonnie Camarda, Lorene Cary, Hazel Edwards, Lauren Footman, Tianna Gaines-Turner, Jane Golden, Giana Graves, Councilwoman Helen Gym, Gayle Isa, Ariell Johnson, Celena Morrison, Dawn Munro, Jessica Roney, Raquel Evita Saraswati, Dr. Janet Sturdivant, Maya Thomas, and Hilary Wang
If They Should Ask Collaborators
Pavel Efremoff (Production Manager), Human Kind Design (Concrete Casting), Matt Gilbert (Metal Fabrication), Louis Tannen (Mold Fabrication), Toren Falck (Lasercutting), Carolyn Lieba Francois-Lazard (Research Assistance), Monika Uchiyama (Research Assistance), James Sprang (Production Assistance), Emily Belshaw (Production Assistance), Kristen Neville Taylor (Production Assistance), Gwen Comings (Production Assistance), Kathryn Hedley (Production Assistance), and Molly Collett (Monument Lab Summer Intern)
The City of Philadelphia, Philadelphia Parks & Recreation, Friends of Rittenhouse Square, Philadelphia Art Alliance, and Amalgam Comics & Coffeehouse
If They Should Ask is a temporary monument located in Rittenhouse Square that addresses the absence of monuments to women in the city of Philadelphia. The object is a collection of cast concrete pedestals sourced from existing monuments in Philadelphia and materialized at half-scale. Encircled with the names of women who contributed to civic and public life in Philadelphia from early European contact to the present day, If They Should Ask proposes that the persistent and aggressive exclusion of women from this form of public recognition perpetuates historical misunderstandings and reproduces inequality in the city’s economic, social, political, and cultural spheres.
Although the city of Philadelphia is home to over 1,500 public sculptures, there are only two that celebrate the life of a real, historic woman—Joan of Arc and Mary Dyer, neither of whom were Philadelphia residents. The common understanding that such an exclusion is a consequence of a patriarchal system that did not value women’s contributions to public life tells only part of the story. This perception ignores the way in which monuments were utilized as part of a larger racial and gendered project in which whiteness and maleness are produced as identities of civic and political power. In this sense, material culture did not merely reflect political power but helped constitute it. Indeed, many white women were involved, individually and collectively, in organizing, advocating, fundraising, and commissioning large sculptures. That white women asserted their public power by constructing a material reality that consistently excluded them, and certainly excluded any women of color, is just one of the curious perversities that attend this moment of visual culture.
Additionally, the political, social, and cultural labor done by women often did not move into or onto the historical record as women were not named or were misnamed as a result of intersecting conditions of racism, settler colonialism, homophobia, and transphobia.
In pointing to the vast contributions that women (inclusive of trans women) make and have made to the city of Philadelphia, If They Should Ask proposes both that these contributions be remembered more actively and prominently in the commemorative objects that populate US cities, and also that to do so requires a collective effort of reimagining what a monument can and should be.
About the Artist
Sharon Hayes is an artist who engages multiple mediums—video, performance, and installation—in ongoing investigation into specific intersections between history, politics and speech. Hayes’ work is concerned with developing new representational strategies that examine and interrogate the present political moment as a moment that reaches simultaneously backward and forward; a present moment that is never wholly its own but rather one that is full of multiple past moments and the speculations of multiple futures. From this ground, Hayes often addresses political events or movements from the 1960s through the 1990s. Her focus on the particular sphere of the near-past is influenced by the potent imbrication of private and public urgencies that she experienced in her own foundational encounters with feminism and AIDS activism. Hayes’ work has been staged on the street, in museums, galleries and exhibition spaces, in theater and dance venues, as well as in 45 lesbian living rooms across the US.
Hayes has had solo exhibitions at Andrea Rosen Gallery (New York), Tanya Leighton Gallery (Berlin), the Whitney Museum of American Art (New York) and the Museo Nacional Centro de Arte Reina Sofia (Madrid). Her work been shown at the Venice Biennale (2013), the Museum of Modern Art (New York), the Guggenheim Museum (New York), the Institute of Contemporary Art, Philadelphia and numerous museums and venues in Europe and the Americas. Hayes is also a recipient of a Pew Fellowship (2016), Guggenheim Fellowship (2014), Alpert Award in Visual Arts (2013), Anonymous Was a Woman Award (2013), a Louis Comfort Tiffany Foundation Fellowship (2007) among other awards. Hayes teaches in the University of Pennsylvania’s Department of Fine Arts.